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Publications (10 of 88) Show all publications
Jullander, S. (2020). Ord och ton mellan död och evighet: John Henry Newmans och Edward Elgars "Gerontius dröm". Svensk pastoraltidskrift, 62(4), 101-106
Open this publication in new window or tab >>Ord och ton mellan död och evighet: John Henry Newmans och Edward Elgars "Gerontius dröm"
2020 (Swedish)In: Svensk pastoraltidskrift, ISSN 0039-6699, Vol. 62, no 4, p. 101-106Article in journal (Other (popular science, discussion, etc.)) Published
Abstract [sv]

Artikeln behandlar Edward Elgars verk för kör och orkester, "Gerontius dröm" (1900), baserat på John Henry Newmans diktverk från 1865 med samma namn. En bakgrund och kontext ges till såväl dikten som musikverket och diktverkets innehåll sammanfattas. Elgars textbearbetning och tonsättning, inklusive användning av ledmotiv, beskrivs och karakteriseras, liksom huvuddragen i receptionen av verket i samtid och eftervärld.

Place, publisher, year, edition, pages
Uppsala: Svensk Pastoraltidskrift, 2020
Keywords
Gerontius dröm, Edward Elgar, John Henry Newman, Oxfordrörelsen, purgatorium, skärseld, ledmotiv, receptionshistoria
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-78009 (URN)
Available from: 2020-03-09 Created: 2020-03-09 Last updated: 2020-03-11Bibliographically approved
Jullander, S. (2019). Fantasia and Fantasy: Two Homonymic Genres of German Chorale-Based Organ Music. In: Johan Norrback, Joel Speerstra and Ralph P. Locke (Ed.), Festschrift for Prof. Kerala J. Snyder: . Göteborg: Göteborgs universitet
Open this publication in new window or tab >>Fantasia and Fantasy: Two Homonymic Genres of German Chorale-Based Organ Music
2019 (English)In: Festschrift for Prof. Kerala J. Snyder / [ed] Johan Norrback, Joel Speerstra and Ralph P. Locke, Göteborg: Göteborgs universitet, 2019Chapter in book (Other academic)
Abstract [en]

The chapter deals with chorale-based organ works by German composers from the early 17th century to the late 19th century that have been given the title of fantasia or Fantasie, either by the composer or by later generations. The emphasis is twofold: the use of the term for baroque pieces, including the history of the label “chorale fantasia” for compositions of the north German baroque, and the emergence of the modern (“romantic”) chorale fantasy around the middle of the 19th century. The(im)possibility of a relationship between these two types of chorale-based works is also discussed.

Place, publisher, year, edition, pages
Göteborg: Göteborgs universitet, 2019
Keywords
Chorale fantasia, fantasy, organ music, genre, Scheidt, Buxtehude, J S Bach, Moritz Brosig, Heinrich Reimann
National Category
Musicology
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-74078 (URN)
Note

The publication is exclusively web-based

Available from: 2019-05-28 Created: 2019-05-28 Last updated: 2020-02-04Bibliographically approved
Jullander, S. (2019). Gregorianik i Svenska kyrkans mässa 1897–2018. Svensk pastoraltidskrift, 61(20), 590-595
Open this publication in new window or tab >>Gregorianik i Svenska kyrkans mässa 1897–2018
2019 (Swedish)In: Svensk pastoraltidskrift, ISSN 0039-6699, Vol. 61, no 20, p. 590-595Article in journal (Other (popular science, discussion, etc.)) Published
Abstract [sv]

Artikeln ger en överblick över gregorianikens ställning i svensk mässmusik under mer än hundra år ovh blickar även framåt. Är gregorianiken i mässan överspelad? Har den haft sin tid? Med Den svenska mässboken I (1942) kom det stora genombrott för gregoriansk sång i det officiella gudstjänstmaterialet. Med 1986 års handbok var gregorianiken i stort sett intakt, men ganska snart därefter kom kritik mot att gregorianiken dominerade på bekostnad av nyskriven musik eller musik från andra traditioner. Så speglar nya kyrkohandboken den tilltagande pluralismen i Svenska kyrkans liturgiska musik, nykomponerade mässpartier likaväl som gregorianska ordinariepartier.

Place, publisher, year, edition, pages
Uppsala: , 2019
Keywords
gregorianik, Svenska kyrkan, mässa, kyrkohandbok, psalmbok
National Category
Musicology
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-76213 (URN)
Available from: 2019-10-02 Created: 2019-10-02 Last updated: 2019-10-07Bibliographically approved
Jullander, S. (2019). Gregoriansk sång i evangelisk tidegärd under 100 år. Signum : katolsk orientering om kyrka, kultur, samhälle, 45(6), 38-43
Open this publication in new window or tab >>Gregoriansk sång i evangelisk tidegärd under 100 år
2019 (Swedish)In: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, Vol. 45, no 6, p. 38-43Article in journal (Other (popular science, discussion, etc.)) Published
Abstract [sv]

Artikeln är en kortfattad historik över bruket av gregoriansk sång i tideböner inom Svenska kyrkan från slutet av 1800-talet till våra dagar.

Place, publisher, year, edition, pages
Uppsala: Newmaninstitutet AB, 2019
Keywords
gregorianik, tidegärd, Svenska kyrkan, antifonale, vesperale
National Category
Musicology
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-76095 (URN)
Available from: 2019-09-23 Created: 2019-09-23 Last updated: 2019-10-07Bibliographically approved
Jullander, S. (2019). Johann Sebastian Bach’s Clavierübung III: An exercise in musical form and symbolism. In: Harald Rise (Ed.), Lutherske perspektiver på liturgisk musikk: (pp. 141-173). Oslo: Novus Forlag
Open this publication in new window or tab >>Johann Sebastian Bach’s Clavierübung III: An exercise in musical form and symbolism
2019 (English)In: Lutherske perspektiver på liturgisk musikk / [ed] Harald Rise, Oslo: Novus Forlag, 2019, p. 141-173Chapter in book (Other academic)
Abstract [en]

This chapter discusses some of the different contexts of Clavierübung III, as well as its organization and content. Special attention is given to the title page of the original print and to the question of whether it is justified to describe the collection as an ‘organ mass’, as has often been done. The main purpose is not to present new findings or put forward new hypotheses, but to give an overview of the collection based on the present state of research.

Abstract [no]

«Clavierübung III,» er en av Bachs mest eksplisitt «lutherske» komposisjon, og hans største samling av verker for klaviaturinstrument. Artikkelen gir et bredt overblikk over den store mengden forskningslitteratur om verket, både musikkvitenskapelige studier og arbeider som tar for seg musikkteologiske aspekter ved verket. Verket settes inn i ulike kontekster, både dets plass i den helhetlige syklusen, den kompositoriske, og den sosiale og religiøse kontekst ved verkets tilblivelse. Til tross for den omfattende forskningslitteraturen om verket står mange spørsmål ubesvart. Artikeln summerer opp de mange teoriene om verkets sammensetning, struktur,målgruppe og funksjon, og diskuterer antakelser og hypoteser om teologisk-musikalsk symbolikk, både sannsynlige og mindre plausible, både forskningsbaserte og mer spekulative. Det drøftes om verket er ment som en «orgelmesse» fra komponistens side, slik det ofte blir omtalt og presentert. En viss korrespondanse med Luthers «Deutsche Messe» kan påvises, men samtidig korresponderer verket i liten grad med liturgien i Leipzig, der Bach var kantor på den tiden verket ble til. Et plausibelt forslag, basert på forskning rundt de aktuelle gudstjenesteordningene, er at Clavierübung III ikke eksklusivt representerer søndagens hovedgudstjeneste, men en totalitet av denne og Vesperen som ble holdt hver søndags ettermiddag. Også dette er i beheftet med stor usikkerhet, faktisk også om verket i det hele tatt kan betraktes som en syklus. Kanskje er det «bare» en samling av orgelstykker? Den gjennomarbeidete strukturen taler imidlertid sterkt mot dette, selv om det er nokså tvilsomt om verket er tenkt som en syklus intendert for komplett framføring – blant annet fordi det ikke finnes bevis for at Bach selv eller andre i hans samtid noen gang spilte verket sammenhengende i sin helhet.

Place, publisher, year, edition, pages
Oslo: Novus Forlag, 2019
Keywords
Johann Sebastian Bach, Clavierübung III, musical symbolism, music theology, Martin Luther, Deutsche Messe
National Category
Musicology
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-74117 (URN)978-82-8390-018-7 (ISBN)
Available from: 2019-06-01 Created: 2019-06-01 Last updated: 2020-02-04Bibliographically approved
(2019). Lunch concert: Harald Fryklöf (1882–1919). Göteborg
Open this publication in new window or tab >>Lunch concert: Harald Fryklöf (1882–1919)
2019 (English)Artistic output (Unrefereed)
Abstract [en]

Organ concert at the 1860 Marcussen organ of Haga Church, Gothenburg, including three works by the Swedish composer Harald Fryklöf (1882–1919): Impromptu festivo, Andante funèbre and Symfoniskt stycke (Symphonic piece), on occasion of the centenary of the composer's death.

Place, publisher, year, pages
Göteborg: , 2019
Keywords
Harald Fryklöf, organ concert, organ music, Haga Church, Marcussen organ
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-78010 (URN)
Available from: 2020-03-09 Created: 2020-03-09 Last updated: 2020-03-09
(2018). Lunch concert: Göteborg International Organ Academy.
Open this publication in new window or tab >>Lunch concert: Göteborg International Organ Academy
2018 (English)Artistic output (Refereed)
Keywords
Göteborg International Organ Academy, Gothenburg Organ Festival, organ recital, Emil Sjögren
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-71555 (URN)
Note

Validerad;2018;Nivå 2;2019-01-15 (svasva)

Available from: 2018-11-13 Created: 2018-11-13 Last updated: 2020-03-03Bibliographically approved
Jullander, S. (2018). Martin Luthers egna toner och ord om musik [Review]. Svensk tidskrift för musikforskning, 100
Open this publication in new window or tab >>Martin Luthers egna toner och ord om musik
2018 (Swedish)In: Svensk tidskrift för musikforskning, E-ISSN 2002-021X, Vol. 100Article, book review (Other academic) Published
Abstract [sv]

Recension av Mattias Lundbergs bok Martin Luthers egna toner och ord om musik. Skellefteå: Artos & Norma bokförlag. 144 s., ill., notex. ISBN 978-91-7777-032

Place, publisher, year, edition, pages
Uppsala: , 2018
Keywords
Recension, Martin Luther, musik, Mattias Lundberg
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-73288 (URN)
Available from: 2019-03-23 Created: 2019-03-23 Last updated: 2019-04-10Bibliographically approved
Jullander, S., Sundkvist, P., Berg, J., Kjekshus, H. & Nelson, K. (2018). Room for interpretation: methodological aspects of a music research project. Svensk tidskrift för musikforskning, 100, 89-115
Open this publication in new window or tab >>Room for interpretation: methodological aspects of a music research project
Show others...
2018 (English)In: Svensk tidskrift för musikforskning, E-ISSN 2002-021X, Vol. 100, p. 89-115Article in journal (Refereed) Published
Abstract [en]

The artistic research project ‘Room for interpretation’ addresses questions concerning the influence of room acoustics on the performance of Western art music from the performers’ perspective. The empirical core of the project is a number of experimental performance sessions carried out in Studio Acusticum, Piteå, a concert hall with mechanically variable acoustics. The authors discuss issues relating to the project’s design and methodology; the focus of the article is thus the research process rather than the results. A presentation of the project, its preconditions, goals, design and methodology is followed by an overview of previous research, mostly in acoustic science, on the same or closely related topics. In the third part of the article, characteristics of the present project are compared to those of the previous studies. In the following part, ’Room for interpretation’ is related to the ongoing discussion on the purposes and means of artistic research. The authors argue that the project, while showing certain similarities to previous studies, differs considerably with respect to aims and important aspects of design, and that its characteristic features agree well with those usually regarded as typical of artistic research. The article concludes with a summary of the most important results concerning: differences between performers’ reactions in the live situation and when listening to their own recordings; differences between chamber ensembles, conducted ensembles and soloists as to the influence of the acoustics on the performance; and the prevalence of sound over other musical parameters in performers’ comments on their recorded performances.

Place, publisher, year, edition, pages
Uppsala: Svenska samfundet för musikforskning, 2018
Keywords
Musical performance, musical interpretation, artistic research, methodology, room acoustics, variable acoustics, Studio Acusticum
National Category
Humanities and the Arts Music Other Humanities not elsewhere specified
Research subject
Musical Performance; Audio Technology
Identifiers
urn:nbn:se:ltu:diva-73286 (URN)
Funder
Swedish Research Council, E0191801
Note

Validerad;2019;Nivå 1;2019-04-10 (svasva)

Available from: 2019-03-23 Created: 2019-03-23 Last updated: 2019-09-13Bibliographically approved
Jullander, S. (2017). Introduction. In: Sverker Jullander (texts) and Hans-Ola Ericsson (CD) (Ed.), Organ Prospects and Retrospects: Texts and Music in Celebration of Organ Acusticum, Piteå, Sweden (pp. 1-6). Luleå: Luleå University of Technology
Open this publication in new window or tab >>Introduction
2017 (English)In: Organ Prospects and Retrospects: Texts and Music in Celebration of Organ Acusticum, Piteå, Sweden / [ed] Sverker Jullander (texts) and Hans-Ola Ericsson (CD), Luleå: Luleå University of Technology, 2017, p. 1-6Chapter in book (Other academic)
Place, publisher, year, edition, pages
Luleå: Luleå University of Technology, 2017
Keywords
revival, improvement, fidelity, 19th-century organ music, Johann Sebastian Bach, reception, Mendelssohn, Liszt, Busoni, Karg-Elert, organ transcriptions, piano transcriptions
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-63208 (URN)978-91-7583-855-7 (ISBN)978-91-7583-856-4 (ISBN)
Funder
Magnus Bergvall Foundation, 2015-01190
Available from: 2017-05-02 Created: 2017-05-02 Last updated: 2017-11-24Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-2005-5397

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