Change search
Link to record
Permanent link

Direct link
BETA
Johannesson, Tomas
Publications (10 of 31) Show all publications
(2019). Norrbotten blues: CD-produktion av Ronny Eriksson och Ramblin' Minds. Rootsy Music
Open this publication in new window or tab >>Norrbotten blues: CD-produktion av Ronny Eriksson och Ramblin' Minds
Show others...
2019 (Swedish)Artistic output (Unrefereed)
Place, publisher, year, pages
Rootsy Music, 2019
National Category
Music
Research subject
Musical Performance; Audio Technology
Identifiers
urn:nbn:se:ltu:diva-74038 (URN)
Note

Godkänd;2019;Nivå 0;2020-01-09 (svasva)

Available from: 2019-05-25 Created: 2019-05-25 Last updated: 2020-01-09Bibliographically approved
(2019). Ronny Eriksson & Ramblin' Minds Arvidsjaur.
Open this publication in new window or tab >>Ronny Eriksson & Ramblin' Minds Arvidsjaur
Show others...
2019 (Swedish)Artistic output (Unrefereed)
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-77012 (URN)
Note

Godkänd;2019;Nivå 0;2020-01-09 (svasva)

Available from: 2019-12-01 Created: 2019-12-01 Last updated: 2020-01-09Bibliographically approved
(2019). Ronny Eriksson & Ramblin' Minds, Pite Havsbad.
Open this publication in new window or tab >>Ronny Eriksson & Ramblin' Minds, Pite Havsbad
2019 (Swedish)Artistic output (Unrefereed) [Artistic work]
National Category
Humanities and the Arts Music
Research subject
Musical Performance; Audio Technology
Identifiers
urn:nbn:se:ltu:diva-77009 (URN)
Note

Godkänd;2019;Nivå 0;2020-01-09 (svasva)

Available from: 2019-12-01 Created: 2019-12-01 Last updated: 2020-01-09Bibliographically approved
(2019). Seven Songs From the 70s: Weissglas, Henrysson, Backenroth, Ekberg. Nilento Records
Open this publication in new window or tab >>Seven Songs From the 70s: Weissglas, Henrysson, Backenroth, Ekberg
Show others...
2019 (English)Artistic output (Unrefereed)
Place, publisher, year, pages
Nilento Records, 2019
Keywords
CD, CD
National Category
Music
Research subject
Musical Performance; Audio Technology
Identifiers
urn:nbn:se:ltu:diva-74036 (URN)
Note

Godkänd;2019;Nivå 0;2020-01-09 (svasva)

Available from: 2019-05-25 Created: 2019-05-25 Last updated: 2020-01-09Bibliographically approved
(2018). Jazzkonsert med Jerry Bergonzi, Harri Ihanus, Renato Chicco, Andrea Michelutti: Universitet presenterar i Piteå.
Open this publication in new window or tab >>Jazzkonsert med Jerry Bergonzi, Harri Ihanus, Renato Chicco, Andrea Michelutti: Universitet presenterar i Piteå
2018 (Swedish)Artistic output (Unrefereed)
National Category
Music
Identifiers
urn:nbn:se:ltu:diva-70034 (URN)
Available from: 2018-07-02 Created: 2018-07-02 Last updated: 2019-01-18Bibliographically approved
Nykänen, A., Löfdahl, M., Johannesson, T. & Berg, J. (2017). Do In-ear monitors protect musicians' hearing?. In: 142nd Audio Engineering Society International Convention 2017, AES 2017: . Paper presented at 142nd Audio Engineering Society International Convention 2017, AES 2017,Berlin, Germany, 20-23 May 2017.
Open this publication in new window or tab >>Do In-ear monitors protect musicians' hearing?
2017 (English)In: 142nd Audio Engineering Society International Convention 2017, AES 2017, 2017Conference paper, Published paper (Refereed)
Abstract [en]

In-ear monitors for live performances are commonly considered to give better sound quality than loudspeaker monitors. They are also often assumed to reduce sound exposure. Because of lack of evidence for this, sound exposure for pop/rock/jazz musicians was compared between performances with in-ear and loudspeaker monitors. Equivalent sound pressure levels at the musicians' ears were 94 to 105 dBA with loudspeaker and 86 to 108 dBA with in-ear monitors. Many participants used earplugs when using loudspeaker monitors. Therefore, the recommendation, from a pure hearing protection perspective, is to use loudspeaker monitors and earplugs. However, the large spread in levels between musicians using in-ear monitors suggests that with better training and measurements of sound exposure, in-ear monitors could be used safely.

National Category
Other Humanities not elsewhere specified Fluid Mechanics and Acoustics
Research subject
Audio Technology; Engineering Acoustics
Identifiers
urn:nbn:se:ltu:diva-65103 (URN)2-s2.0-85026655617 (Scopus ID)
Conference
142nd Audio Engineering Society International Convention 2017, AES 2017,Berlin, Germany, 20-23 May 2017
Available from: 2017-08-15 Created: 2017-08-15 Last updated: 2017-11-24Bibliographically approved
Berg, J., Johannesson, T., Löfdahl, M. & Nykänen, A. (2017). In-ear vs. loudspeaker monitoring for live Sound and the effect on audio quality attributes and musical performance. In: 142nd Audio Engineering Society International Convention 2017, AES 2017: . Paper presented at 142nd Audio Engineering Society International Convention 2017, AES 2017,Berlin, Germany, 20-23 May 2017.
Open this publication in new window or tab >>In-ear vs. loudspeaker monitoring for live Sound and the effect on audio quality attributes and musical performance
2017 (English)In: 142nd Audio Engineering Society International Convention 2017, AES 2017, 2017Conference paper, Published paper (Refereed)
Abstract [en]

A successful performance of live music is dependent on how well musicians can hear themselves and the other members of the ensemble. Sound reinforcement systems can offer monitoring either by on-stage loudspeakers or in-ear headphones. These two monitoring conditions were compared to search for perceived auditory differences that affect parts of musical performance. Four jazz/pop/rock bands made live performances where monitor sound was provided to the musicians. Each band repeated their performance, changing from one monitoring condition to the other. After every performance, the musicians responded to questionnaires covering musical performance and audio quality. Experts also assessed recordings of the performances. Results show that perceived differences exist in audio quality and musical performance between loudspeaker monitors and in-ear headphone monitors.

National Category
Other Humanities not elsewhere specified Applied Mechanics
Research subject
Audio Technology; Engineering Acoustics
Identifiers
urn:nbn:se:ltu:diva-65100 (URN)2-s2.0-85026625310 (Scopus ID)
Conference
142nd Audio Engineering Society International Convention 2017, AES 2017,Berlin, Germany, 20-23 May 2017
Available from: 2017-08-15 Created: 2017-08-15 Last updated: 2017-11-24Bibliographically approved
(2017). Ramblin' Minds: 30-årsjubileum. Luleå
Open this publication in new window or tab >>Ramblin' Minds: 30-årsjubileum
Show others...
2017 (Swedish)Artistic output (Unrefereed)
Place, publisher, year, pages
Luleå: , 2017
National Category
Music
Research subject
Musical Performance; Music Education; Audio Technology
Identifiers
urn:nbn:se:ltu:diva-66405 (URN)
Available from: 2017-11-06 Created: 2017-11-06 Last updated: 2017-11-24Bibliographically approved
(2017). Ramblin' Minds Kalott Jazz och Blues festival Tornio (Fi).
Open this publication in new window or tab >>Ramblin' Minds Kalott Jazz och Blues festival Tornio (Fi)
Show others...
2017 (Swedish)Artistic output (Refereed)
National Category
Humanities and the Arts
Research subject
Musical Performance; Music Education; Audio Technology
Identifiers
urn:nbn:se:ltu:diva-66403 (URN)
Note

Validerad;2017;Nivå 1;2018-01-03 (svasva)

Available from: 2017-11-06 Created: 2017-11-06 Last updated: 2018-01-03Bibliographically approved
Wedin, A. (2016). Ronny Eriksson och Ramblin' Minds - Kirunafestivalen 2016. Tusen toner / Kirunafestivalen
Open this publication in new window or tab >>Ronny Eriksson och Ramblin' Minds - Kirunafestivalen 2016
2016 (Swedish)Other (Other academic) [Artistic work]
Abstract [sv]

Konsert av Ronny Eriksson och Ramlin' Minds vid Kirunafestivalen den 30 juni 2016. 

Ronny Eriksson & Ramblin’ Minds har musicerat tillsammans sedan 1994, samarbetet var som intensivast under 90-talet då de bland annat gjorde TV-serien “Lid i natt” tillsammans. Det är ett samarbete som det slår det gnistor om och i sommar har de släppt den högaktuella “Tiggarlåten”. Många mil runt landet har det blivit genom åren, dock aldrig tidigare något Kirunabesök!

  • Ronny Eriksson, sång
  • Anna Wedin, bas
  • Katarina Pettersson, trummor
  • Mathias Lundqvist, keyboard
  • Leo Holmberg, gitarr
  • Tomas Johannesson, saxofon
  • Stefan Tjerngren, saxofon

Repertoar spelad:

  • Tiggarlåten
  • I min bil
  • Nyckeln
  • Det liknar fan sa Holger
  • Farfars gård
  • Det knallar och det går
  • Gråtvalsen 
  • Vem lurar vem
  • Vischan Blues
  • Liikavaara Frans son möter Elmore James och uppnår Status Quo
  • Pessimistkonsulten

Kirunafestivalen har etablerat sig som en av de tyngsta festivalarrangörerna i norra Sverige med ett brett utbud av artister som spänner över flera genrer och åldrar, dock inte utan guldkorn som sticker ut ur mängden. Däribland The Hives (2008), Danko Jones (2004), Boney M (2002), Lordi (2006), Teddybears (2011), Kent (2012), Status Quo (20214) för att bara nämna några. En folkfest som får marken att gunga mer än de hårdaste dynamitsalvor från gruvberget. Gammal som ung står sida vid sida och delar varandras leenden i vad som känns som en fest utan slut.

Place, publisher, year, pages
Tusen toner / Kirunafestivalen, 2016
Keywords
Musik, Tusen toner, Kirunafestivalen, Ronny Eriksson, Ramblin' Minds, Blues
National Category
Music Other Humanities not elsewhere specified
Research subject
Musical Performance; Audio Technology
Identifiers
urn:nbn:se:ltu:diva-60608 (URN)
Available from: 2016-11-22 Created: 2016-11-22 Last updated: 2017-11-24Bibliographically approved
Organisations

Search in DiVA

Show all publications