Change search
Link to record
Permanent link

Direct link
BETA
Ekman, Håkan
Publications (7 of 7) Show all publications
(2015). Kärlek till sången och musiken. Paper presented at .
Open this publication in new window or tab >>Kärlek till sången och musiken
2015 (Undetermined)Artistic output (Refereed)
Abstract [sv]

Konsertprogram:Dietrich Buxtehude –"KlaglIed" (1674) för satb och stråkorkester 2'Björn Andor Drage – "KlaglIed" (2004) för 3x(satb) 8'Paula af Malmborg Ward – Vidder (2015, Uruppförande) för ssaattbb och slagverk 12'Ylva Skog – "They call her love" (1998) för stråkorkester 10’Toru Takemitsu – Requiem för stråkorkester (1957) 8'Arvo Pärt – "Te Deum" (1985) för ssaa/ttbb/satb, prep. pno, str & band 30'ur Alfred Schnittkes "Bussverse", nr 12 i arrangemang för strk och kör av Andreas Hedlund)8'20Turnéprogram:Haparanda kyrka 15 aprilKulturens hus, Luleå 16 aprilSkellefteå landsförsamlings kyrka 17 aprilNorrlandsOperan 18 aprilStudio Acusticum 19 aprilInspelning av Sveriges Radio, P2 live skedde vid konserten 19 april. Sändningen skedde 11 maj och 12 aug.Vidder sändes även 9 nov."Vidder" är ett beställningsverk av Erik Westbergs Vokalensemble med stöd av Kulturrådet. Verket erhöll Musikförläggarnas pris 2015 i kategorin Årets Konstmusikpris – mindre ensemble/kammarmusik. Norrbottensmusiken har kontrakterat och arvoderat samtliga medverkande.

National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-33311 (URN)149ee32d-e4b9-45c1-9302-c78646d74652 (Local ID)149ee32d-e4b9-45c1-9302-c78646d74652 (Archive number)149ee32d-e4b9-45c1-9302-c78646d74652 (OAI)
Note

Validerad; 2015; Nivå 2; 20151119 (erwe)

Available from: 2016-09-30 Created: 2016-09-30 Last updated: 2018-02-14Bibliographically approved
(2014). Originals. Paper presented at . Piteå: Studio Acusticum
Open this publication in new window or tab >>Originals
2014 (Undetermined)Artistic output (Refereed) [Artistic work]
Abstract [sv]

CD med Erik Westbergs Vokalensemble under ledning av Erik Westberg samt Mattias Wagner på orgel och Carl-Henrik Fernandi på sopransaxofon.Andersson, B Tommy - The TygerPärt, Arvo - Tribute to CaesarSandström, Jan - KyrieFerm, Jan - GloriaFerm, Jan - Agnus deiMiranda, Ronaldo - Regina caeliSandström, Sven-David - Laudamus teAhlin, Sven - Triumf att finnas tillBuxtehude, Dietrich - Klag-liedBjörn Andor Drage - Kag-liedWestberg, Erik - Från ingenstansPärt, Arvo - The woman with the alabaster boxNilsson, Anders - Lux aeternaInspelad med stöd av statens kulturråd

Place, publisher, year, pages
Piteå: Studio Acusticum, 2014
Keywords
Aesthetic subjects - Music, Konstnärligt arbete, Estetiska ämnen - Musikvetenskap
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-33429 (URN)3b187076-8fd9-441e-a832-40be44113954 (Local ID)3b187076-8fd9-441e-a832-40be44113954 (Archive number)3b187076-8fd9-441e-a832-40be44113954 (OAI)
Note

Validerad; 2014; 20141127 (johsod)

Available from: 2016-09-30 Created: 2016-09-30 Last updated: 2018-02-14Bibliographically approved
(2013). Dreamlike. Paper presented at . Piteå: Studio Acusticum
Open this publication in new window or tab >>Dreamlike
2013 (Undetermined)Artistic output (Unrefereed) [Artistic work]
Abstract [sv]

CD med Erik Westbergs Vokalensemble under ledning av Erik Westberg och Helge Kjekshus på Piano.Råberg, Emil - The TygerNilsen, Ulf - Det er den draumenKuula, Toivo - Auringon Noustessa Op. 11:3Badings, Henk - Trois Chansons BretonnesBrahms, Johannes - Quartette Op. 92Rheinberger, Josef - Abenslied Op. 69:3Reger, Max - Drei Chöre Op. 6Saint-Saëns, Camille - Calme Des Nuits Op. 68:1Lindblad, Adolf Fredrik - Drömmarne

Place, publisher, year, pages
Piteå: Studio Acusticum, 2013
Keywords
Aesthetic subjects - Music, Konstnärligt arbete, Estetiska ämnen - Musikvetenskap
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-33411 (URN)358bae9d-4e70-4fb1-bd9a-ec3b83765d9f (Local ID)358bae9d-4e70-4fb1-bd9a-ec3b83765d9f (Archive number)358bae9d-4e70-4fb1-bd9a-ec3b83765d9f (OAI)
Note

Godkänd; 2013; 20130604 (johsod)

Available from: 2016-09-30 Created: 2016-09-30 Last updated: 2018-02-12Bibliographically approved
(2012). Arabesques: Erik Westbergs Vocal Ensemble in Concert. Paper presented at . Studio Acusticum
Open this publication in new window or tab >>Arabesques: Erik Westbergs Vocal Ensemble in Concert
2012 (Swedish)Artistic output (Unrefereed) [Artistic work]
Abstract [sv]

CD med Erik Westbergs Vocal Ensemble och Norrbotten NEOSandström, Jan - FatimaLarsson Gothe, Mats - Lilits återkomstThoresen, Lasse - Mon Dieu, mon adoréJolivet, André - MadrigalDaniel-Lesure - Le Cantique des Cantiques

Place, publisher, year, pages
Studio Acusticum, 2012
Keywords
Aesthetic subjects - Music, Konstnärligt arbete, Estetiska ämnen - Musikvetenskap
National Category
Music
Research subject
Musical Performance
Identifiers
urn:nbn:se:ltu:diva-33833 (URN)d2853a04-629b-4124-942f-4c398be45967 (Local ID)d2853a04-629b-4124-942f-4c398be45967 (Archive number)d2853a04-629b-4124-942f-4c398be45967 (OAI)
Note

Godkänd; 2012; 20121207 (johsod)

Available from: 2016-09-30 Created: 2016-09-30 Last updated: 2018-02-13Bibliographically approved
Begnert, F., Ekman, H. & Berg, J. (2012). Difference between the EBU R-128 meter recommendation and human subjective loudness perception (ed.). In: (Ed.), 131st Audio Engineering Society convention 2011: New York, New York, USA, 20 - 23 October 2011. Paper presented at Audio Engineering Society convention : 20/10/2011 - 23/10/2011 (pp. 40-49). Red Hook, NY: Curran Associates, Inc., 1
Open this publication in new window or tab >>Difference between the EBU R-128 meter recommendation and human subjective loudness perception
2012 (English)In: 131st Audio Engineering Society convention 2011: New York, New York, USA, 20 - 23 October 2011, Red Hook, NY: Curran Associates, Inc., 2012, Vol. 1, p. 40-49Conference paper, Published paper (Refereed)
Abstract [en]

The vast loudness span of broadcast sound can be reduced by the use of loudness meters. In an ideal case, the measured and the perceived loudness would be equal. A loudness meter fulfilling the EBU R-128 recommendation was investigated for its correspondence with perceived loudness. Several sound stimuli with large loudness differences representing five different types of broadcast program material were normalized to have equal meter measured loudness level. Subjects listened to pairwise presentations of the normalized stimuli, which they subsequently set to have equal perceived loudness. The settings were recorded and analyzed. The results show that the normalization yields both equal as well as different perceived loudness between program types. The maximum difference was ±2.8 dB

Place, publisher, year, edition, pages
Red Hook, NY: Curran Associates, Inc., 2012
National Category
Other Humanities not elsewhere specified
Research subject
Audio Technology
Identifiers
urn:nbn:se:ltu:diva-38352 (URN)cb77a978-d822-419d-b3e4-fc786af2ed3d (Local ID)cb77a978-d822-419d-b3e4-fc786af2ed3d (Archive number)cb77a978-d822-419d-b3e4-fc786af2ed3d (OAI)
Conference
Audio Engineering Society convention : 20/10/2011 - 23/10/2011
Note

Godkänd; 2012; 20121001 (andbra)

Available from: 2016-10-03 Created: 2016-10-03 Last updated: 2018-01-12Bibliographically approved
Berg, J. & Ekman, H. (2006). Difference between musicians and sound engineers in estimation of egocentric source distance in a concert hall stereophonic recording (ed.). In: (Ed.), (Ed.), The Future of Audio Technology - Surround and Beyond: Proceedings of the AES 28th International Conference. Paper presented at AES International Conference: The Future of Audio Technology, Surround and Beyond : 30/06/2006 - 02/07/2006. : Audio Engineering Society, Inc., Paper Number: 8-2
Open this publication in new window or tab >>Difference between musicians and sound engineers in estimation of egocentric source distance in a concert hall stereophonic recording
2006 (English)In: The Future of Audio Technology - Surround and Beyond: Proceedings of the AES 28th International Conference, Audio Engineering Society, Inc., 2006, Vol. Paper Number: 8-2Conference paper, Published paper (Refereed)
Abstract [en]

In sound recording, an important dimension is the perceived distance to the sound sources. This study investigates if there is a difference between sound engineers and musicians when they consider the perceived distance to sound sources recorded in a concert hall and reproduced by means of a two-channel stereo system. Also which distance is preferred is investigated for different instruments. The result shows that sound engineers perceive a greater distance to sources and that they prefer more close microphone distance than musicians.

Place, publisher, year, edition, pages
Audio Engineering Society, Inc., 2006
National Category
Other Humanities not elsewhere specified
Research subject
Audio Technology
Identifiers
urn:nbn:se:ltu:diva-40113 (URN)f1970ff0-41d9-11dc-8da5-000ea68e967b (Local ID)f1970ff0-41d9-11dc-8da5-000ea68e967b (Archive number)f1970ff0-41d9-11dc-8da5-000ea68e967b (OAI)
Conference
AES International Conference: The Future of Audio Technology, Surround and Beyond : 30/06/2006 - 02/07/2006
Note
Godkänd; 2006; 20070803 (ysko)Available from: 2016-10-03 Created: 2016-10-03 Last updated: 2017-11-25Bibliographically approved
Berg, J. & Ekman, H. (2005). The three-dimensional acoustic environment as depth cue in sound recordings (ed.). In: (Ed.), (Ed.), AES 118th Convention: Preprints. Paper presented at Audio Engineering Society Convention : 28/05/2005 - 31/05/2005. : Audio Engineering Society, Inc., nr 6513
Open this publication in new window or tab >>The three-dimensional acoustic environment as depth cue in sound recordings
2005 (English)In: AES 118th Convention: Preprints, Audio Engineering Society, Inc., 2005, Vol. nr 6513Conference paper, Published paper (Refereed)
Abstract [en]

The research on the perceived depth in a sound image mainly concerns the distance to the source. Observations on the three-dimensional environment, is generally of an anecdotal nature. In order to enhance the perceived spatial quality of reproduced sound, it is important to know more about how depth in recordings is perceived and generated. The aim of this study is to put focus on the concept of depth, i.e. define what sound engineers mean by depth in recordings. This has been studied through interviews with sound engineers. The most common thought is that depth is equal to the distance to the sound sources. This definition is still not enough to encompass the whole concept of depth. The experienced environment in front of the listener may also affect the perceived depth.

Place, publisher, year, edition, pages
Audio Engineering Society, Inc., 2005
National Category
Other Humanities not elsewhere specified
Research subject
Audio Technology
Identifiers
urn:nbn:se:ltu:diva-34652 (URN)8e837630-41d2-11dc-8da5-000ea68e967b (Local ID)8e837630-41d2-11dc-8da5-000ea68e967b (Archive number)8e837630-41d2-11dc-8da5-000ea68e967b (OAI)
Conference
Audio Engineering Society Convention : 28/05/2005 - 31/05/2005
Note
Godkänd; 2005; Bibliografisk uppgift: CD-ROM; 20070803 (ysko)Available from: 2016-09-30 Created: 2016-09-30 Last updated: 2017-11-25Bibliographically approved
Organisations

Search in DiVA

Show all publications