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Choose Your Own Adventure Music: On the Emergence of Voice in Musical Collaboration
Royal Academy of Music, London, UK.ORCID iD: 0000-0002-9282-0975
2016 (English)In: Contemporary Music Review, ISSN 0749-4467, E-ISSN 1477-2256, Vol. 35, no 6, p. 579-598Article in journal (Refereed) Published
Abstract [en]

The practices of collaborating composers and performers have been receiving increasing attention within academic discourse. Such collaborations are often presented from two complementary perspectives: pre-compositional joint invention and post-compositional negotiations in the realisation of a score and its notation. This article attempts to bridge the gap between the two perspectives through a discussion on the emergence of ‘voice’ that pervades the artistic practice, and binds the pre- and post-compositional phases together. Two compositions by David Gorton, written in collaboration with guitar player Stefan Östersjö, will be examined:Forlorn Hopefor 11-string alto guitar and optional live electronics andAusterity Measures Ifor 10-string guitar. Both pieces are the result of an extended pre-composition experimental phase, and both pieces attempt to recreate something of those experiments in the contexts of their performance, establishing the conditions for the emergence of a ‘discursive voice’ of both composer and performer

Place, publisher, year, edition, pages
Routledge, 2016. Vol. 35, no 6, p. 579-598
Keywords [en]
Affordance, Collaboration, Composer, Guitar, Performer, Resistance, Voice
National Category
Music
Research subject
Musical Performance
Identifiers
URN: urn:nbn:se:ltu:diva-71148DOI: 10.1080/07494467.2016.1282596ISI: 000395395800003Scopus ID: 2-s2.0-85011796809OAI: oai:DiVA.org:ltu-71148DiVA, id: diva2:1254292
Available from: 2018-10-08 Created: 2018-10-08 Last updated: 2018-10-19Bibliographically approved

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