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Negotiating the Discursive Voice in Chamber Music
Royal Academy of Music, London.
Luleå University of Technology, Department of Arts, Communication and Education, Music, media and Theatre.ORCID iD: 0000-0002-4704-5420
2020 (English)In: Performance, Subjectivity and Experimentation / [ed] Catherina Laws, Leuven: Leuven University Press, 2020, p. 53-78Chapter in book (Refereed)
Abstract [en]

This chapter discusses chamber music performance from the concept of discursive voice, previously proposed by the two authors. It takes two recently premiered compositions by David Gorton, for charango and soprano violin, and for two guitars, premioered by Östersjö, with Mieko Kanno and Jessica Kaiser in 2019, as point of departure. Different methods are used in the study of the two collaborations, combining qualitative and quantitative methods. The results suggest that the model of discursive voice is efficient in describing the nature of the interactions between the two performers and the score. 

Place, publisher, year, edition, pages
Leuven: Leuven University Press, 2020. p. 53-78
Series
Orpheus Institute Series
Keywords [en]
discursive voice, chamber music, collaboration, contemporary music
National Category
Music
Research subject
Musical Performance
Identifiers
URN: urn:nbn:se:ltu:diva-81692DOI: 10.2307/j.ctvv41431.6OAI: oai:DiVA.org:ltu-81692DiVA, id: diva2:1504623
Note

ISBN för värdpublikation: 9789462702318

Available from: 2020-11-30 Created: 2020-11-30 Last updated: 2021-01-27Bibliographically approved

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Östersjö, Stefan

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