This project as a whole focuses around the construction of a new innovative organ in a concert hall in the very north of Sweden, in Piteå. The concert hall in itself is a kind of laboratory with it its adjustable acoustics through the ceiling that as a whole can be adjusted up or down approximately 8 meters. In its highest position the reverb of the hall is approximately 2,8 seconds – which can be considered rather perfect for a huge concert organ with 89 sounding registers but with 215 stops.The research project seeks to explore, through artistic practice and reflection, the tonal world with its possibilities and limitations of the organ. The research is conducted along three parallel tracks: 1. Explorative studies of the harmonics division. 2. Explorative studies of the influence and use of latency when playing the instrument over Internet. 3. Musical responses to the voicing refinement process. The project will move from an exploration of individual elements within each of the research tracks, towards more integrative approaches within the tracks and, finally, a synthesis covering all three tracks. The synthesis will be achieved through in-depth systematic work with compositions and improvisation. This part of the project will bring the innovative aspects in tune with the more traditional parts of the organ, producing genuine artistic results from the entire research project. Research results will be published in sounding and written formats