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Greek drama and psychoanalysis in the trilogy 'Mourning Becomes Electra' by Eugene O'Neill
2002 (English)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
Abstract [en]

The purpose of this essay is to present how Greek drama and psychoanalysis have influenced the play 'Mourning Becomes Electra' (1931), written by American playwright Eugene O'Neill. Chapter 1 examines the general background necessary to understand the effect that Greek drama and psychoanalysis have had on this play, including a note on the author. Chapter 2 analyses the play by comparing it to Greek ideals, especially Aeschylus' trilogy the 'Oresteia', and subsequently the psychoanalytical traits are being examined.

Place, publisher, year, edition, pages
2002.
Keyword [en]
Social Behaviour Law, O'Neill, Mourning Becomes Electra, Greek drama, psychoanalysis
Keyword [sv]
Samhälls-, beteendevetenskap, juridik
Identifiers
URN: urn:nbn:se:ltu:diva-54861ISRN: LTU-CUPP--02/052--SELocal ID: bc96acb1-9446-46ce-9aa1-970eae0c56c5OAI: oai:DiVA.org:ltu-54861DiVA: diva2:1028243
Subject / course
Student thesis, at least 15 credits
Educational program
English, bachelor's level
Examiners
Note
Validerat; 20101217 (root)Available from: 2016-10-04 Created: 2016-10-04Bibliographically approved

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CiteExportLink to record
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Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
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