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Patterns of Ecological and Aesthetic Co-evolution: Tree-guitars, River-violins and the Ecology of Listening
University of Newcastle.
2015 (English)In: Contemporary Music Review, ISSN 0749-4467, E-ISSN 1477-2256, Vol. 34, no 44, p. 335-349Article in journal (Refereed) Published
Abstract [en]

The move ‘outside’ of the concert hall has repercussions for listening and creative practice beyond simply resituating ‘music’. The building of an environmentally specific instrumentarium draws onin situexploration and cultivation of affordances, but also on the embodied pre-existent knowledge of the artists concerned. A sense of space/place and strategies of listening work together both to situate emergent creative practices within a landscape and to take the affordances of that landscape, the instruments constructed there, and embodied musical experience forward into completed artistic and musical works.

Place, publisher, year, edition, pages
Routledge, 2015. Vol. 34, no 44, p. 335-349
Keywords [en]
Affordances, Ecology of Listening, Environmental Sound Art, Improvisation, Instrument Construction, Sonic Space
National Category
Humanities and the Arts
Identifiers
URN: urn:nbn:se:ltu:diva-71151DOI: 10.1080/07494467.2016.1140867OAI: oai:DiVA.org:ltu-71151DiVA, id: diva2:1254295
Available from: 2018-10-08 Created: 2018-10-08 Last updated: 2018-11-05Bibliographically approved

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Östersjö, Stefan

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