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Historically Authentic Truths (the HAT trick): Facts, fancies and footnotes
Department of Music, University of York, UK; University of Illinois, USA; Orpheus Institute in Gent, Belgium.
Luleå University of Technology, Department of Social Sciences, Technology and Arts, Music, Media and Theater.ORCID iD: 0000-0002-4704-5420
Department of Music, University of York, UK.
2021 (English)In: Music and Heritage: New Perspectives on Place-making and Sonic Identity / [ed] Liam Maloney; John Schofield, Taylor & Francis, 2021, 1, p. 183-193Chapter in book (Refereed)
Abstract [en]

Footnotes, a composition written between 1983 and 1985 by a composer allegedly named William Brooks, was recorded between 2011 and 2018 by guitarist Stefan Östersjö and sound engineer Jez Wells, with the help of William Brooks, musicologist. It became evident to the three collaborators that the overall project required the construction of a set of different identities for each participant: guitar, guitarist; score, composer; hardware, engineer. This chapter traces the construction of, distinction between and eventual representation of those identities. It considers the extent to which a single entity – personality, place, artifact or historical event – can be regarded as a collection of irreconcilable differences, whether those differences can be constituted as a series of masks or persona and whether anything can truly be said to reside behind those masks.

Place, publisher, year, edition, pages
Taylor & Francis, 2021, 1. p. 183-193
Keywords [en]
authenticity, music, heritage, tradition
National Category
Music
Research subject
Musical Performance
Identifiers
URN: urn:nbn:se:ltu:diva-86605DOI: 10.4324/9780429343049-21Scopus ID: 2-s2.0-85109767199OAI: oai:DiVA.org:ltu-86605DiVA, id: diva2:1584991
Note

ISBN för värdpublikation:  978-0-367-35983-6; 978-0-367-74103-7; 978-0-429-34304-9

Available from: 2021-08-15 Created: 2021-08-15 Last updated: 2025-01-07Bibliographically approved

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